Top Songs By Claudio Abbado
More albums from Claudio Abbado
ALBUMBizet: CarmenIleana Cotrubas, Yvonne Kenny, Alicia Nafé, Teresa Berganza, Plácido Domingo, Jean Lainé, Geoffrey Pogson, Stuart Harling, Sherrill Milnes, Gordon Sandison, Richard Amner, Leslie Fyson, Robert Lloyd, George Main, London Symphony Orchestra, Claudio Abbado, The Ambrosian Singers & Watson's George College Boys' Chorus
Claudio Abbado's Popular Music Videos
Un ballo in maschera: Eri tu che macchiavi quell'anima (Live At Philharmonie, Berlin / 1998)
Simon Keenlyside, Berlin Philharmonic & Claudio Abbado
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: I. Andante - Allegro (Live)
Yuja Wang, Lucerne Festival Orchestra & Claudio Abbado
Lucerne Festival 2005 - Franz Schubert - Die Forelle
Alban Berg, Claudio Abbado, Lucerne Festival Orchestra & Renée Fleming
Requiem in D Minor, K. 626: I. Introitus. Requiem (Live from Salzburger Dom / 1999)
Karita Mattila, Kay Johannsen, Swedish Radio Choir, Berlin Philharmonic & Claudio Abbado
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio (Live at Accademia Nazionale di Santa Cecilia, Rome / 2001)
Berlin Philharmonic & Claudio Abbado
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio (Live at Accademia Nazionale di Santa Cecilia, Rome / 2001)
Berlin Philharmonic & Claudio Abbado
Mahler: Symphony No. 1 in D Major: IV. Stürmisch bewegt (Live)
Lucerne Festival Orchestra & Claudio Abbado
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: II. Tema con variazioni (Live)
Yuja Wang, Lucerne Festival Orchestra & Claudio Abbado
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: III. Allegro ma non troppo (Live)
Yuja Wang, Lucerne Festival Orchestra & Claudio Abbado
Requiem in D Minor, K. 626: IIIb. Sequentia. Tuba mirum (Live from Salzburger Dom / 1999)
Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berlin Philharmonic & Claudio Abbado
About Claudio Abbado
Artist Biography
Almost as taciturn in rehearsal as he was to the press, Abbado used his expressive conducting to convey to orchestras what he required in terms of instrumental colour, phrasing and interpretation. He was most at home with the vivid depictions by Mussorgsky, Verdi, Prokofiev and Debussy complemented by the lyrical symphonic tradition of Schubert, Mendelssohn and, above all, Mahler. Born in Milan in 1933 to a musical family, Abbado resolved to become a conductor after attending a performance of Debussy’s subtle and enchanting Nocturnes (1892-1899). His taste extended to a more blatantly colourful repertoire: the first opera he conducted, in 1959, was not from the standard Italian repertory but rather Prokofiev’s playfully surreal The Love for Three Oranges (1921). Though by nature shy, Abbado’s musicianship secured him top positions as principal conductor or artistic director of several prestigious orchestras and opera companies, including the London Symphony Orchestra; La Scala—where he championed such contemporary composers as Luigi Nono and trained the orchestra to give concerts in its own right; the Vienna State Opera; and the Berlin Philharmonic. Abbado himself founded several orchestras made up of talented young players, which in turn created such spin-offs as the Chamber Orchestra of Europe and the Mahler Chamber Orchestra. He died in 2014, leaving behind a rich legacy of recordings and elite orchestral players.
Hometown
Milan, Italy
Genre
Classical
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