The spectacularly strange and ambitious DaDa boasts all of Alice Cooper’s trademark moves, yet they’re reimagined for a generation raised on ’80s gothic rock and horror-movie soundtracks. The cinematic title track cloaks his hushed, half-mad murmurings in malevolent electronic textures, and “Former Lee Warmer” dips his obsession with Poe-style storytelling in orchestral darkwave. As for Cooper’s genius for social satire, “I Love America” is a biting takedown of Reagan-era patriotism riddled with machine-gun fire, military marches and an A-Team reference.